Key Tracks: “A Bear/A Fire/A Cave,” “Stone Burial”
Francois Veenstra, a solo musician from Brazil, is in the midst of an existentially lo-fi trilogy. His second album, “Six Months of Death,” was recorded like his debut, in an ultimate lo-fi setting: a bedroom, alone, with a handheld recorder. The album’s title sets the existential tone and states that the album is going to be no less introspective than his previous effort, “Journey to the Sea”. The first album in the series saw a protagonist following a river to the sea. “Six Months of Death” follows this protagonist as he finds the sea and begins to wander aimlessly, realizing the pointlessness of his previous adventure.
Musically, the protagonist’s existential pains are felt through winding, quiet music, all recorded by Veenstra. The songs are more like movements, building up or winding down at unexpected points. The transitions between songs feel more like thought breaks than song breaks – which is good, as it implies that the album works well as a whole. His vocals are tough to decipher, but they only show up sometimes, as the whole entity of the album seems to encompass this character and his travels. The album is experimental lo-fi alternative stuff, often quiet but getting the point across. Veenstra is a pretty decent musician, commandeering drums and bass just when the muted guitar begins to get a little slow. It is certainly quiet and toned-down, so lo-fi fans take notice. I’m curious what will happen to the protagonist next.
If you like this, try: “Whenever, If Ever” by The World Is a Beautiful Place & I Am No Longer Afraid to Die, the previous review before this one.
-By Andrew McNally