Blondie – “Pollinator”

(Photo Credit: Spin)Grade: B+

Key Tracks: “Already Naked,” “Fragments”

Certain bands hit a legendary status where they can have others write music for them. We saw it last with the proto-new Monkees album that had contributions from both Harry Nilsson and Rivers Cuomo. Well, Blondie have hit that status. Although they don’t have the amount of material or the longevity (remember their 15 year break), Blondie shook music so much that they’re able to have outside help.

But before we discuss the non-Blondie elements, we should discuss the band itself. This album has a renewed energy and a consistent groove to it, and it’s safe to say it rivals that of their original late ’70’s run. The band is locked in on every song. And, as with any great Blondie album, there’s a respectable mix of new wave, ballads, disco and punk. The album is bookended with two great rock songs, “Doom or Destiny” and “Fragments,” the latter sporting an unexpected and effective tempo change. “Long Time” balances out a pleasantly bouncy beat with a delicate bridge. “When I Gave Up On You” is a great ballad, and one that brings the album’s momentum down a bit. And although “My Monster” might not be the best track, the blending of guitar and synth over unexpectedly monotone vocals makes it arguably the most interesting. Debbie Harry hasn’t missed a beat – her voice dominates the album. It hasn’t changed in the slightest – modest, but dominating. Only in “Already Naked” does it feel like the band relies on her, though, which is good. In the album’s other ten tracks, her voice patiently but strongly leads the band.

After a fairly mediocre outing where the band took on a more electronic approach, Blondie decided to tag in to some other writers for this album. This isn’t to say they’ve given up – merely that they felt fans would rather appreciate great songs written by other people to decent songs written by them. And the person who shows up the most in the songwriting credits is indeed Debbie Harry. The classic duo of Harry and guitarist Chris Stein penned two tracks on this album: opener “Doom or Destiny” and “Love Level.” Harry also has a credit alongside Blood Orange on “Long Time.” Keyboardist Matt Katz-Bohen and his wife Laurel are credited on two songs as well. Other songwriters that aided include Dave Sitek from TV on the Radio, Charli XCX, The Gregory Brothers, and Adam Johnston, a writer for YourMovieSucks.org. Almost ironically, the album’s weakest track “Best Day Ever,” was written by Sia and Nick Valensi of the Strokes.

Despite the credits, the album is somewhat sparse on actual guest appearances. Joan Jett (who is not credited as a songwriter) appears on opener “Doom or Destiny.” Johnny Marr, Charli XCX, the Gregory Brothers and Adam Johnston appear on the songs that they co-wrote. The sole other appearance is that of John Roberts. Readers may know Roberts as the voice of Linda Belcher on the unbelievably great FOX animated show “Bob’s Burgers.” I do not know the circumstances that led him to appearing on a Blondie record. The track he shows up on, “Love Level,” is the only one that approaches hip-hop in any way. Admittedly, it’s pretty jarring, because it’s not only the only pseudo-rap heard on the album, it’s also the only prominent male voice. As a song, it works, but in the context of the album, it’s a little much of a curveball.

At the end of the day, this is just a very good Blondie album. For a band that spent their heyday trying everything, they sound comfortable going back to some basics. They nail both the jams and the ballads, and they sound great as a collective. The energy is there, the diversity is there, and Debbie Harry’s vocals are there, so there is reason to rejoice. Forty-three years and eleven albums in, Blondie still sound young and fresh. And really, isn’t that what Blondie is supposed to be?

-By Andrew McNally

Best, Worst and Everything Else of 2014

2014

2014 was surely a year. I heard a lot of great albums, I missed a lot more. Really, I missed a ton of albums this year, guys, really didn’t do my one job right. Over on the Filtered Lens I compiled two “official” reviewer’s Top 10 Songs and Albums lists, but here I’m going stretch out, take off my tie and be totally personal. Here’s the crap I liked:

Top 10 Favorite Albums of the Year:

10. Andrew Jackson Jihad – “Christmas Island” (Review)
9. Tinashe – “Aquarius” (Review)
8. Future – “Honest” (Review)
7. Run the Jewels – “Run the Jewels 2”
6. Pharmakon – “Bestial Burden” (Review)
5. Modern Baseball – “You’re Gonna Miss It All” (Review)
4. Interpol – “El Pintor” (Review)
3. the Menzingers – “Rented World” (Review)
2. White Lung – “Deep Fantasy” (Review)
1. St. Vincent – “St. Vincent” (Review)

(Honorable mentions: Lana Del Ray’s “Ultraviolence,” Parquet Courts’ “Sunbathing Animal,” Perfect Pussy’s “Say Yes to Love,” Lakutis’ “Three Seashells” and The World is a Beautiful Place & I Am No Longer Afraid to Die’s “Broken Bodies,” which originally sat at #7 until I decided an EP in a list of LP’s didn’t fit)

And now for tonight’s main event, my totally subjective, completely personal 30 Best Songs of the Year, regardless if they were singles or not:

30. FKA twigs – “Video Girl”
29. Andrew Jackson Jihad – “Temple Grandin”
28. Run the Jewels – “Close Your Eyes (and Count to Fuck) [feat. Zack de la Rocha]”
27. Parquet Courts – “Sunbathing Animal” (Album Review)
26. Prince – “FUNKNROLL” (Album Review)
25. Foxygen – “How Can You Really” (Album Review)
24. Courtney Barnett – “Avant Gardener”
23. Andrew Jackson Jihad – “Children of God”
22. Lakutis – “Too Ill For the Law” (Album Review)
21. Jeremih, YG – “Don’t Tell ‘Em”
20. The Creeping Ivies – “The Creeps” (Album Review)
19. White Lung – “I Believe You”
18. MisterWives – “Reflections” (EP Review)
17. Jessie J/Ariana Grande/Nicki Minaj – “Bang Bang”
16. Pharmakon – “Bestial Burden”
15. Beck – “Wave” (Album Review)
14. the Menzingers – “In Remission”
13. Phantogram – “Fall in Love”
12. Tinashe – “2 On (feat. ScHoolboy Q)”
11. Nicki Minaj – “Anaconda”
10. Sia – “Chandelier”
9. the Menzingers – “Rodent”
8. Interpol – “All the Rage Back Home”
7. St. Vincent – “Rattlesnake”
6. Bruce Springsteen – “The Ghost of Tom Joad”
5. White Lung – “Drown With the Monster”
4. Phantogram – “Black Out Days”
3. Grimes – “Go (feat. Blood Diamonds)”
2. Future – “Move That Dope (feat. Pusha T, Pharrell, Casino)”
1. St. Vincent – “Birth in Reverse”

Here’s a link to a Spotify playlist of 29 of these songs (the Lakutis album “Three Seashells,” which has song #22, is not on Spotify)

And here’s thirty more songs I loved (but not enough to rank), in alphabetical order, by artist:

Aphex Twin – “180db_[130]”
Iggy Azalea – “Black Widow” (god, I’m sorry)
Beyonce/Jay-Z – “Drunk in Love”
Big Data – “Dangerous”
Bleachers – “I Wanna Get Better”
Cardinal Cardinal – “When I’m Not Alone”
Clean Bandit/Jess Glynne – “Rather Be”
DJ Snake/Lil’ Jon – “Turn Down For What”
Drake – “0 to 100/The Catch Up”
Foxygen – “Can’t Contextualize My Mind”
Ariana Grande/Iggy Azalea – “Problem”
Maroon 5 – “Maps”
the Menzingers – “I Don’t Wanna Be an Asshole Anymore”
Milky Chance – “Stolen Dance”
Modern Baseball – “Fine, Great”
Bob Mould – “I Don’t Know You Anymore”
the Orwells – “Who Needs You”
Parquet Courts – “Ducking & Dodging”
Tom Petty & the Heartbreakers – “American Dream Plan B”
Shakira/Rihanna – “Can’t Remember to Forget You”
Sleeper Agent – “Waves”
St. Vincent – “Bring Me Your Loves”
Taylor Swift – “Shake It Off”
Tove Lo – “Habits (Stay High)”
the World is a Beautiful Place and so on and so on – “If and When I Die”
You Blew It! – “Surf Wax America” (Weezer cover)

Superlatives:

Best guest spot: 1) YG on Jeremih’s “Don’t Tell ‘Em”
2) ScHoolboy Q on Tinashe’s “2 On”
3) Pusha T, Pharrell and Casino on Future’s “Move That Dope”

Worst guest spot: Eat the cake, anime

Best cover song: “Surf Wax America” – You Blew It!

Best two bands that are great but I still have a little trouble telling apart – You Blew It! and Modern Baseball

Most Irritating Song of the Year: 1) “Lazaretto” – Jack White
2) “Rude” – Magic! (sorry, I know that’s a big blow to the Canadian reggae scene)
3) “Animals” – Maroon 5

Best Person to Wish He Were Born in a Different Generation and For Us to All Agree: Jack White!

Best Jack White Album: The Black Keys – Turn Blue! Fight me.

Best Free U2 album: an illegally downloaded copy of “The Joshua Tree”

Best Classic Rock Album Overshadowed by U2: Tom Petty & the Heatbreaker’s “Hypnotic Eye.” Sorry, AC/DC, Pink Floyd and Bruce.

Best Prince: “Art Official Age”

Worst Prince: “Plectrumelectrum”

Best Death Grips Album: “Run the Jewels 2”

Worst Death Grips Album: “N****s on the Moon”

Best Unplugged Performance: Red Hot Chili Peppers at the Super Bowl

Worst Unplugged Performance: Probably any other Red Hot Chili Peppers performance

Best “Chinese Democracy”: Pink Floyd’s “The Endless River”

Best Adjective Mike: Killer Mike

Worst Adjective Mike: Fat Mike

Best Album That Made Most Reviewer’s Top 10 Lists That I Didn’t Listen to Because Ariel Pink is a Shithead: “pom pom” – Ariel Pink

Most Intentionally Terrifying Song: “Bestial Burden” – Pharmakon

Most Unintenionally Terrifying Song: “Lock the Door” – Robin Thicke

Best/Worst Song Titles: Aphex Twin

Best Band Name: The World is a Beautiful Place & I Am No Longer Afraid to Die

Worst Band Name: The World is a Beautiful Place & I Am No Longer Afraid to Die

A song that I would like to let you know exists: “Got Me Runnin’ Round,” a collaboration between Nickelback and Flo Rida. Seriously.

Potential albums to look forward to in 2015: Sleater-Kinney – “No Cities to Love” (1/20)
Two Gallants – “We Are Undone” (2/3)
Father John Misty – “I Love You, Honeybear” (2/10)
Hot Sugar – “God’s Hand” (2/24)
Heems – “Eat Pray Thug” (3/3) (solo debut from the Das Racist frontman – keep an eye out for this one)
Modest Mouse – “Strangers to Ourselves” (3/3)
Madonna – “Rebel Heart” (3/10)
Wale – “The Album About Nothing” (3/31) (Yes, the collaborative album with Jerry Seinfeld)
Chance the Rapper – “Surf”
Death Grips – “the powers that b”
Run the Jewels – “Run the Jewels 3” and “Meow the Jewels,” the cat version of “Run the Jewels 2”
2015 also might hold new albums from Kendrick Lamar, Sky Ferreira, Beyonce, Adele, Drake, Metz, Radiohead, Rihanna, Kanye, Deafheaven, Frank Ocean, Waxahatchee, and Giorgio Moroder’s first album since 1992, if we’re lucky.

See you with even more cynicisms next year!

-Andrew McNally

(PS – this is, by sheer coincidence, this blog’s 200th post!)